Top Culture The Specials review. Professor Bernie Callaghan, currently chief executive officer of Sunderland Software City. The Bottom Line. Fresh perspectives from Bernie Colterman on achieving more through marketing partnerships, sponsorships and strategic revenue development. Born in Sunderland, Johnson began his career at Middlesbrough before moving to Manchester City and then to Sunderland for £10m in 2012. Why the chips are up at Sunderland's Silicon Valley. a workforce in Sunderland. Callaghan aimed to. in the creation of Sunderland Software City. If you wish an internal review to take. developing the Sunderland Software City initiative. Bernie Callaghan is the CEO of the SSC. Information on hotels, resorts and packages with reviews from travellers with star ratings. Includes local employment opportunities. ![]() Local News: South Sunderland (South Sunderland)Cookies and About. My. Area. About. My. Area use cookies to enable some advanced functionality, including those used by 3rd parties such as Google Analytics and Add. This. Some pages may have other 3rd party "widgets" that utilise their own cookies. Please view the link below for help on managing these and other cookies. By continuing to use our site, we will assume you're happy to accept our use of cookies. Find out more about cookies and how to manage them. ![]() The Leighton Group story. In 1999 middle brother Bernie had joined the. He went on to mastermind the Sunderland Software City project and is.Sunderland Software City at Bridget Phillipson. Houghton and Sunderland South MP, Bridget Phillipson has told Tory Business Minister Ed Vaizey his Government needs to invest in Sunderland’s software industry if the UK is to be ‘at the heart’ of the world’s software market. In a debate, secured by Bridget, she argued the UK software industry is properly placed to challenge for the top spot, thanks to the investment and infrastructure set up by the previous Labour government. However, the actions of the Tory’s and Lib Dems since the election have the potential to hold back the growth of the software industry, which include: Scrapping Labour’s pledge of universal access to broadband by 2. Reversing a pre- election pledge to implement tax breaks for sectors of the UK software industry; and,Cutting Regional Development Agencies (RDAs), such as One North East. Bridget then spoke of the successful partnership of Sunderland City Council, One North East, University of Sunderland and the business community in pioneering services such as the e- volve centre and Sunderland Software City. These combined efforts have attracted software companies estimated at a worth of £2. Fifth Generation Technologies, Codeworks, Digital. City, The Test Factory, Raise a Tree, and Guroo. Bridget said: ‘It was vitally important for the government to recognise that London is not the only place with tech start ups. I’m quite shocked it takes a debate to make them aware of this.‘Projects in the region like Sunderland Software City are ripe for government investment. Labour provided all the tools to make this happen, with One North East and planned tax breaks to the computer games sector.‘The Coalition’s cuts could threaten growth and jobs in not only the UK software sector but growth overall, particularly in Sunderland and the North East.'Bridget’s full speech can be read here. A related article by Sunderland's Software City can be read here.
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System Manufacturer: MSI. System Model: MS- 7. BIOS: Default System BIOS. Processor: Intel(R) Celeron(R) CPU E3. GHz (2 CPUs), ~2. GHz. Memory: 2. 04. MB RAM. Available OS Memory: 2. MB RAM. Page File: 1. MB used, 2. 45. 7MB available. Windows Dir: C: \Windows. Direct. X Version: Direct. X 1. 1. DX Setup Parameters: Not found. User DPI Setting: Using System DPI. System DPI Setting: 9. DPI (1. 00 percent). DWM DPI Scaling: Disabled. Dx. Diag Version: 6. Unicode- -- -- -- -- -- -Dx. Diag Notes- -- -- -- -- -- -Display Tab 1: No problems found. Sound Tab 1: No problems found. Sound Tab 2: No problems found. Input Tab: No problems found.- -- -- -- -- -- -- -- -- -- -Direct. X Debug Levels- -- -- -- -- -- -- -- -- -- -Direct. D: 0/4 (retail)Direct. Draw: 0/4 (retail)Direct. Input: 0/5 (retail)Direct. Music: 0/5 (retail)Direct. Play: 0/9 (retail)Direct. Sound: 0/5 (retail)Direct. Show: 0/6 (retail)- -- -- -- -- -- -- -- Display Devices- -- -- -- -- -- -- -- Card name: Intel(R) G4. Express Chipset. Manufacturer: Intel Corporation. Chip type: Intel(R) 4 Series Express Chipset Family. DAC type: Internal. Device Key: Enum\PCI\VEN_8. DEV_2. E3. 2& SUBSYS_7. REV_0. 3Display Memory: 8. MBDedicated Memory: 6. MBShared Memory: 7. MBCurrent Mode: 1. Hz)Monitor Name: Generic Pn. P Monitor. Monitor Model: P1. HQVMonitor Id: ACR0. DFNative Mode: 1. Hz)Output Type: HD1. Driver Name: igdumdx. Driver File Version: 8. English)Driver Version: 8. DDI Version: 1. 0Driver Model: WDDM 1. Driver Attributes: Final Retail. Driver Date/Size: 1. WHQL Logo'd: Yes. WHQL Date Stamp: Device Identifier: {D7. B7. 8E6. 6- 6. D7. CF- 6. 07. F- 9. 85. A3. C2. C5. 35}Vendor ID: 0x. Device ID: 0x. 2E3. Sub. Sys ID: 0x. 75. Revision ID: 0x. 00. Driver Strong Name: oem. Intel. Mfg: i. EGL0: 8. Rank Of Driver: 0. E6. 20. 01. Video Accel: Mode. MPEG2_A Mode. MPEG2_C Mode. WMV9_B Mode. WMV9_C Mode. VC1_B Mode. VC1_C Deinterlace Caps: {BF7. EF6- 8. CC4- 4. 57. A- BE1. B- 0. 8BD1. CAEEE9. F}: Format(In/Out)=(YUY2,YUY2) Frames(Prev/Fwd/Back)=(0,0,1) Caps=Video. Process_YUV2. RGB Video. Process_Stretch. X Video. Process_Stretch. Y Video. Process_Alpha. Blend Deinterlace. Tech_Edge. Filtering {3. AA3. 6E- 7. 88. 4- 4. A4- 9. C9. 1- 7. F8. FAF3. E3. 7E}: Format(In/Out)=(YUY2,YUY2) Frames(Prev/Fwd/Back)=(0,0,0) Caps=Video. Process_YUV2. RGB Video. Process_Stretch. X Video. Process_Stretch. Y Video. Process_Alpha. Blend Deinterlace. Tech_BOBVertical. Stretch {5. A5. 4A0. C9- C7. EC- 4. BD9- 8. EDE- F3. C7. 5DC4. B}: Format(In/Out)=(YUY2,YUY2) Frames(Prev/Fwd/Back)=(0,0,0) Caps=Video. Process_YUV2. RGB Video. Process_Stretch. X Video. Process_Stretch. Y Video. Process_Alpha. Blend {BF7. EF6- 8. CC4- 4. 57. A- BE1. B- 0. 8BD1. CAEEE9. F}: Format(In/Out)=(UYVY,YUY2) Frames(Prev/Fwd/Back)=(0,0,1) Caps=Video. Process_YUV2. RGB Video. Process_Stretch. X Video. Process_Stretch. Y Video. Process_Alpha. Blend Deinterlace. Tech_Edge. Filtering {3. AA3. 6E- 7. 88. 4- 4. A4- 9. C9. 1- 7. F8. FAF3. E3. 7E}: Format(In/Out)=(UYVY,YUY2) Frames(Prev/Fwd/Back)=(0,0,0) Caps=Video. Process_YUV2. RGB Video. Process_Stretch. X Video. Process_Stretch. Y Video. Process_Alpha. Blend Deinterlace. Tech_BOBVertical. Stretch {5. A5. 4A0. C9- C7. EC- 4. BD9- 8. EDE- F3. C7. 5DC4. B}: Format(In/Out)=(UYVY,YUY2) Frames(Prev/Fwd/Back)=(0,0,0) Caps=Video. Process_YUV2. RGB Video. Process_Stretch. X Video. Process_Stretch. Y Video. Process_Alpha. Blend {BF7. EF6- 8. CC4- 4. 57. A- BE1. B- 0. 8BD1. CAEEE9. F}: Format(In/Out)=(YV1. YUY2) Frames(Prev/Fwd/Back)=(0,0,1) Caps=Video. Process_YUV2. RGB Video. Process_Stretch. X Video. Process_Stretch. Y Video. Process_Alpha. Blend Deinterlace. Tech_Edge. Filtering {3. AA3. 6E- 7. 88. 4- 4. A4- 9. C9. 1- 7. F8. FAF3. E3. 7E}: Format(In/Out)=(YV1. YUY2) Frames(Prev/Fwd/Back)=(0,0,0) Caps=Video. Process_YUV2. RGB Video. Process_Stretch. X Video. Process_Stretch. Y Video. Process_Alpha. Blend Deinterlace. Tech_BOBVertical. Stretch {5. A5. 4A0. C9- C7. EC- 4. BD9- 8. EDE- F3. C7. 5DC4. B}: Format(In/Out)=(YV1. YUY2) Frames(Prev/Fwd/Back)=(0,0,0) Caps=Video. Process_YUV2. RGB Video. Process_Stretch. X Video. Process_Stretch. Y Video. Process_Alpha. Blend {BF7. EF6- 8. CC4- 4. 57. A- BE1. B- 0. 8BD1. CAEEE9. F}: Format(In/Out)=(NV1. YUY2) Frames(Prev/Fwd/Back)=(0,0,1) Caps=Video. Process_Alpha. Blend Deinterlace. Tech_Edge. Filtering {3. AA3. 6E- 7. 88. 4- 4. A4- 9. C9. 1- 7. F8. FAF3. E3. 7E}: Format(In/Out)=(NV1. YUY2) Frames(Prev/Fwd/Back)=(0,0,0) Caps=Video. Process_YUV2. RGB Video. Process_Stretch. X Video. Process_Stretch. Y Video. Process_Alpha. Blend Deinterlace. Tech_BOBVertical. Stretch {5. A5. 4A0. C9- C7. EC- 4. BD9- 8. EDE- F3. C7. 5DC4. B}: Format(In/Out)=(NV1. YUY2) Frames(Prev/Fwd/Back)=(0,0,0) Caps=Video. Process_YUV2. RGB Video. Process_Stretch. X Video. Process_Stretch. Y Video. Process_Alpha. Blend {BF7. EF6- 8. CC4- 4. 57. A- BE1. B- 0. 8BD1. CAEEE9. F}: Format(In/Out)=(IMC1,YUY2) Frames(Prev/Fwd/Back)=(0,0,1) Caps=Video. Process_YUV2. RGB Video. Process_Stretch. X Video. Process_Stretch. Y Video. Process_Alpha. Blend Deinterlace. Tech_Edge. Filtering {3. AA3. 6E- 7. 88. 4- 4. A4- 9. C9. 1- 7. F8. FAF3. E3. 7E}: Format(In/Out)=(IMC1,YUY2) Frames(Prev/Fwd/Back)=(0,0,0) Caps=Video. Process_YUV2. RGB Video. Process_Stretch. X Video. Process_Stretch. Y Video. Process_Alpha. Blend Deinterlace. Tech_BOBVertical. Stretch {5. A5. 4A0. C9- C7. EC- 4. BD9- 8. EDE- F3. C7. 5DC4. B}: Format(In/Out)=(IMC1,YUY2) Frames(Prev/Fwd/Back)=(0,0,0) Caps=Video. Process_YUV2. RGB Video. Process_Stretch. X Video. Process_Stretch. Y Video. Process_Alpha. Blend {BF7. EF6- 8. CC4- 4. 57. A- BE1. B- 0. 8BD1. CAEEE9. F}: Format(In/Out)=(IMC2,YUY2) Frames(Prev/Fwd/Back)=(0,0,1) Caps=Video. Process_YUV2. RGB Video. Process_Stretch. X Video. Process_Stretch. Y Video. Process_Alpha. Blend Deinterlace. Tech_Edge. Filtering {3. AA3. 6E- 7. 88. 4- 4. A4- 9. C9. 1- 7. F8. FAF3. E3. 7E}: Format(In/Out)=(IMC2,YUY2) Frames(Prev/Fwd/Back)=(0,0,0) Caps=Video. Process_YUV2. RGB Video. C9- C7. EC- 4. BD9- 8. EDE- F3. C7. 5DC4. B}: Format(In/Out)=(IMC2,YUY2) Frames(Prev/Fwd/Back)=(0,0,0) Caps=Video. Process_YUV2. RGB Video. Process_Stretch. X Video. Process_Stretch. Y Video. Process_Alpha. Blend {BF7. EF6- 8. CC4- 4. 57. A- BE1. B- 0. 8BD1. CAEEE9. F}: Format(In/Out)=(IMC3,YUY2) Frames(Prev/Fwd/Back)=(0,0,1) Caps=Video. Process_YUV2. RGB Video. Process_Stretch. X Video. Process_Stretch. Y Video. Process_Alpha. Blend Deinterlace. Tech_Edge. Filtering {3. AA3. 6E- 7. 88. 4- 4. A4- 9. C9. 1- 7. F8. FAF3. E3. 7E}: Format(In/Out)=(IMC3,YUY2) Frames(Prev/Fwd/Back)=(0,0,0) Caps=Video. Process_YUV2. RGB Video. EDE- F3. C7. 5DC4. B}: Format(In/Out)=(IMC3,YUY2) Frames(Prev/Fwd/Back)=(0,0,0) Caps=Video. Process_YUV2. RGB Video. Process_Stretch. X Video. Process_Stretch. Y Video. Process_Alpha. Blend {BF7. EF6- 8. CC4- 4. 57. A- BE1. B- 0. 8BD1. CAEEE9. F}: Format(In/Out)=(IMC4,YUY2) Frames(Prev/Fwd/Back)=(0,0,1) Caps=Video. Tech_Edge. Filtering {3. AA3. 6E- 7. 88. 4- 4. A4- 9. C9. 1- 7. F8. FAF3. E3. 7E}: Format(In/Out)=(IMC4,YUY2) Frames(Prev/Fwd/Back)=(0,0,0) Caps=Video. Process_YUV2. RGB Video. C9- C7. EC- 4. BD9- 8. EDE- F3. C7. 5DC4. B}: Format(In/Out)=(IMC4,YUY2) Frames(Prev/Fwd/Back)=(0,0,0) Caps=Video. Process_YUV2. RGB Video. Process_Stretch. X Video. Process_Stretch. Y Video. Process_Alpha. Blend D3. D9 Overlay: Supported. DXVA- HD: Supported. DDraw Status: Enabled. D3. D Status: Enabled. AGP Status: Enabled- -- -- -- -- -- -- Sound Devices- -- -- -- -- -- -- Description: Speakers (Realtek High Definition Audio)Default Sound Playback: Yes. Default Voice Playback: Yes. Hardware ID: HDAUDIO\FUNC_0. VEN_1. 0EC& DEV_0. SUBSYS_1. 46. 27. REV_1. 00. 1Manufacturer ID: 1. Product ID: 1. 00. Type: WDMDriver Name: RTKVHDA. Relive the Mind- Blowing Photos From the Voyager Missions. 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After they signed a contract with XL Recordings, the band recorded the album from December 2008 to. Все mp3 The Rolling Stones скачать бесплатно. музыка mp3. Альбомы. Фотографии. Дискография. Музыка. When he was one year old, his parents divorced, and Reich divided his time between New York and California. He is the half- brother of writer Jonathan Carroll.[8] He was given piano lessons as a child and describes growing up with the "middle- class favorites", having no exposure to music written before 1. At the age of 1. 4 he began to study music in earnest, after hearing music from the Baroque period and earlier, as well as music of the 2. Reich studied drums with Roland Kohloff in order to play jazz. While attending Cornell University, he minored in music and graduated in 1. ![]() ![]() B. A. in Philosophy.[9] Reich's B. A. thesis was on Ludwig Wittgenstein; [citation needed] later he would set texts by that philosopher to music in Proverb (1. You Are (variations) (2. For a year following graduation, Reich studied composition privately with Hall Overton before he enrolled at Juilliard to work with William Bergsma and Vincent Persichetti (1. Subsequently, he attended Mills College in Oakland, California, where he studied with Luciano Berio and Darius Milhaud (1. At Mills, Reich composed Melodica for melodica and tape, which appeared in 1. LP release Music from Mills.[1. Reich worked with the San Francisco Tape Music Center along with Pauline Oliveros, Ramon Sender, Morton Subotnick, Phil Lesh and Terry Riley.[1. He was involved with the premiere of Riley's In C and suggested the use of the eighth note pulse, which is now standard in performance of the piece. Reich's early forays into composition involved experimentation with twelve- tone composition, but he found the rhythmic aspects of the number twelve more interesting than the pitch aspects.[1. Reich also composed film soundtracks for Plastic Haircut (1. Oh Dem Watermelons (1. Thick Pucker (1. 96. Robert Nelson. The soundtrack of Plastic Haircut, composed in 1. Reich's first. The Watermelons soundtrack used two 1. The music for Thick Pucker arose from street recordings Reich made walking around San Francisco with Nelson, who filmed in black and white 1. This film no longer survives. A fourth film from 1. Thick Pucker II", was assembled by Nelson from outtakes of that shoot and more of the raw audio Reich had recorded. Nelson was not happy with the resulting film and never showed it. Reich was influenced by fellow minimalist Terry Riley, whose work In C combines simple musical patterns, offset in time, to create a slowly shifting, cohesive whole. Reich adopted this approach to compose his first major work, It's Gonna Rain. Composed in 1. 96. Pentecostal street- preacher known as Brother Walter. Reich built on his early tape work, transferring the last three words of the fragment, "it's gonna rain!", to multiple tape loops which gradually move out of phase with one another. The 1. 3- minute Come Out (1. Daniel Hamm, one of the falsely accused Harlem Six, who was severely injured by police.[1. The survivor, who had been beaten, punctured a bruise on his own body to convince police about his beating. The spoken line includes the phrase "to let the bruise’s blood come out to show them." Reich rerecorded the fragment "come out to show them" on two channels, which are initially played in unison. They quickly slip out of sync; gradually the discrepancy widens and becomes a reverberation. The two voices then split into four, looped continuously, then eight, and continues splitting until the actual words are unintelligible, leaving the listener with only the speech's rhythmic and tonal patterns. In 1. 99. 9, Rolling Stone magazine dubbed Reich "The Father of Sampling" and compared his work with the parallel evolution of hip- hop culture by DJs such as Kool Herc and Grandmaster Flash.[1. Reich's first attempt at translating this phasing technique from recorded tape to live performance was the 1. Piano Phase, for two pianos. In Piano Phase the performers repeat a rapid twelve- note melodic figure, initially in unison. As one player keeps tempo with robotic precision, the other speeds up very slightly until the two parts line up again, but one sixteenth note apart. The second player then resumes the previous tempo. This cycle of speeding up and then locking in continues throughout the piece; the cycle comes full circle three times, the second and third cycles using shorter versions of the initial figure. Violin Phase, also written in 1. Piano Phase and Violin Phase both premiered in a series of concerts given in New York art galleries. A similar, lesser known example of this so- called process music is Pendulum Music (1. Pendulum Music" has never been recorded by Reich himself, but was introduced to rock audiences by Sonic Youth in the late 1. Reich also tried to create the phasing effect in a piece "that would need no instrument beyond the human body". He found that the idea of phasing was inappropriate for the simple ways he was experimenting to make sound. Instead, he composed Clapping Music (1. The 1. 96. 7 prototype piece Slow Motion Sound was not performed although Chris Hughes performed it 2. Slow Motion Blackbird on his Reich- influenced 1. Shift. It introduced the idea of slowing down a recorded sound until many times its original length without changing pitch or timbre, which Reich applied to Four Organs (1. The piece has maracas playing a fast eighth notepulse, while the four organs stress certain eighth notes using an 1. This work therefore dealt with repetition and subtle rhythmic change. It is unique in the context of Reich's other pieces[clarification needed How so – 'unique'?] in being linear as opposed to cyclic like his earlier works – the superficially similar Phase Patterns, also for four organs but without maracas, is (as the name suggests) a phase piece similar to others composed during the period. Four Organs was performed as part of a Boston Symphony Orchestra program, and was Reich's first composition to be performed in a large traditional setting. In 1. 97. 0, Reich embarked on a five- week trip to study music in Ghana, during which he learned from the master drummer Gideon Alorwoyie. Reich also studied Balinese gamelan in Seattle.[when?] From his African experience, as well as A. M. Jones's Studies in African Music about the music of the Ewe people, Reich drew inspiration for his 9. Drumming, which he composed shortly after his return. Composed for a nine- piece percussion ensemble with female voices and piccolo, Drumming marked the beginning of a new stage in his career, for around this time he formed his ensemble, Steve Reich and Musicians, and increasingly concentrated on composition and performance with them. Steve Reich and Musicians, which was to be the sole ensemble to interpret his works for many years, still remains active with many of its original members.[citation needed]After Drumming, Reich moved on from the "phase shifting" technique that he had pioneered, and began writing more elaborate pieces. He investigated other musical processes such as augmentation (the temporal lengthening of phrases and melodic fragments). It was during this period that he wrote works such as Music for Mallet Instruments, Voices and Organ (1. Six Pianos (1. 97. In 1. 97. 4, Reich began writing Music for 1. Musicians. This piece involved many new ideas, although it also hearkened back to earlier pieces. MCE Insurance British Superbike Championship in association with Pirelli. All external sites will open in a new browser tab/window. MSVR does not endorse or warrant the content of external sites. ![]() MICHELIN SUCCESS AT 2017 BRITISH TRIALS CHAMPIONSHIP Round 5, The West of England Trial – Ruby Rocks, Devon Once again Michelin ruled the. Moto Trials Canada. Devoted to the sport of observed motorcycle trials in Canada. The dates for the WTC National Championship rounds have been confirmed as follows. British Motorcycle Trials Championship Dates Of Full Moons
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